SpeakEasy Stage Company
The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
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It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.
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It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.
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As National Pride Month begins, The Inheritance is a powerful way to honor and remember the impossible journey so many have taken to win the right to simply be themselves in public.
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This staging is a reminder that theater magic is fickle and time-bound — it’s hard to dependably catch lightning in a bottle.
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People, Places & Things memorably tackles the insidiousness of addiction.
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BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters
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A hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
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Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
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An exciting, subversive idea animates TJ Loves Sally 4 Ever.
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