SpeakEasy Stage Company

Theater Review: “The Band’s Visit” — Revelations of Commonality

November 17, 2023
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This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.

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Theater Review: “POTUS, Or Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive”

September 25, 2023
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“POTUS” supplies plenty of political amusement as it pits savvy, competent women against the blithering males running the American government.

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Theater Review: At This “Prom” — Acceptance, Love, and Laughter

May 22, 2023
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The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.

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Theater Review: “Fairview” — A Room With a View?

February 24, 2023
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It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.

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Theater Review: “Heroes of the Fourth Turning” — Dear Lord, Pray for Them

September 18, 2022
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It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.

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Theater Review: “The Inheritance” — Confronting the Unthinkable

June 3, 2022
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As National Pride Month begins, The Inheritance is a powerful way to honor and remember the impossible journey so many have taken to win the right to simply be themselves in public.

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Theater Review: “Once on This Island” — At the Whim of the Gods

March 16, 2022
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This staging is a reminder that theater magic is fickle and time-bound — it’s hard to dependably catch lightning in a bottle.

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Theater Review: “People, Places & Things” — Grappling with Addiction

February 21, 2022
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People, Places & Things memorably tackles the insidiousness of addiction.

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Theater Review: “BLKS” — Fun, Heartbreaking, and Thought-Provoking

November 5, 2021
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BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters

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Theater Review: “The Sound Inside” — A Hollow Thud

October 5, 2021
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A hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.

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