Sarah-Ruhl
Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
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This is the voice of a wife, mother, sister, daughter, friend, patient, and author who wrote a memoir on her own terms. I can’t wait for Sarah Ruhl’s next play.
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There is much to love in this Lyric Stage Company production and I recommend it highly.
Read MoreThis is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
Read MoreStage Kiss is Sarah Ruhl’s whimsical contribution to the age-old artistic theme of art vs. life.
Read MoreSarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.
Read MoreA trio of superb off Broadway plays explore the complicated faces of love and lust — from the seamy to the sublime.
Read MoreHighlights on stage this month include the world premiere of a drama about evolution by a respected local playwright and an intriguing collection of plays and musicals that bring an unusual perspective to topics ranging from love and music to extinction and dehumanization. And the wait is over: a show featuring singing dinosaurs has arrived.…
Read MoreDead Man’s Cell Phone by Sarah Ruhl. Directed by Carmel O’Reilly. Produced by the the Lyric Stage Company at the YWCA Building on the corner of Clarendon Street and Stuart Street, Boston, MA, through November 14. Reviewed by Helen Epstein Improbable though it seems these days with multiple requests to turn off electronics before performances,…
Read Moreby Bill Marx “Catharsis isn’t a wound being excavated from childhood.” – Sarah Ruhl NPR as well as New York theater critics think playwright Sarah Ruhl, the “Golden Ruhl” with “The Midas Touch,” is sure money in the artistic bank. A winner of a MacArthur “genius” grant and a Pulitzer Prize finalist in 2005 for…
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