Philip Glass
Philip Glass’s librettist Arthur Yorinks offers his thoughts on whether and how to update an opera as the Boston Lyric Opera releases its revamped and filmed version of The Fall of the House of Usher.
Read MoreHow do you make filmed opera relevant in the Age of COVID? The BLO isolated the performers from one another and made E.A. Poe’s story the dream of an immigrant child in detention on the US/Mexico border.
Read MoreMusic in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
Read Moremodern world out of control is more perceptive and chilling than ever.
Read MoreThere have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Read MoreIt was a treat to experience Philip Glass’s orchestral music live and in-person.
Read MoreOne takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.
Read MoreFar from being a down month, June marks the start of New England’s summer classical music season.
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