Michael Strand
What, we are led to wonder, is the project of minimalism today?
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Arnold Trachtman, Isabelle Higgins, and Barbara Ishikura are all “Boston Modern” artists who never stray far from communicating all-too-human joys and worries.
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Robert S. Neuman used modernism’s interest in abstraction and material accident to shape lively compositions that riffed on urbanization, biblical themes, war, the space race, indigenous rights, mental illness, and other topics.
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Grids come into these woven pieces with a strange humility, disarming us with repurposed materials and precious handiwork, domestic scenes and visionary tales.
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