• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts

Kirill Gerstein

Classical CD Reviews: Philip Glass, “Music in Eight Parts,” Thomas Adès, “In Seven Days,” and Anna Clyne, “Dance”

Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Anna Clyne, Avie, Inbal Segev, Kirill Gerstein, London Philharmonic Orchestra, Marin-Alsop, Music in 8 Parts, Myrios, Orange Mountain Music, Philip Glass, Thomas Ades

Classical CD Reviews: Thomas Adès’s Orchestral Works, Aaron Copland’s Symphony no. 3, and Leonard Bernstein’s “Songfest”

A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Aaron-Copland, Deutsche Grammophon, Kirill Gerstein, Leonard Berstein, National Orchestral Institute Philharmonic, Naxos, SFS Media, Songfest, Thomas Ades, Totentanz

Classical CD Reviews: The Tchaikovsky Project, Schumann Symphonies nos. 2 & 4, and Holst Orchestral Works

Semyon Bychkov and the Czech Philharmonic do justice to a lot of Tchaikovsky’s orchestral music, while John Eliot Gardiner and the London Symphony play Robert Schumann’s famously-dense orchestrations with clarity. But Michael Stern’s account of The Planets completely lacks mystery.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Decca, John Eliot Gardiner, Kirill Gerstein, London-Symphony-Orchestra, LSO Live, Michael Stern, Reference Recordings, Semyon Bychkov

Classical Concert Review: Thomas Adès conducts Liszt, Adès, and Tchaikovsky

The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Boston Symphony Orchestra, Kirill Gerstein, Thomas Ades

Classical CD Reviews: Gerstein plays Busoni, Josefowicz plays Zimmermann, and Vähälä plays Szymanowski

Pianist Kirill Gerstein’s take on Busoni is exhilarating; the Finnish Radio Symphony Orchestra serves the forceful music of composer Bernd Alois Zimmermann, and violinist Elina Vähälä does right by Szymanowski’s Violin Concerto.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Review Tagged: accentus, Alexander Liebreich, Bernd Alois Zimmermann, Elina Vähälä, Karol Szymanowski, Kirill Gerstein, Myrios, Ondine, Polish National Radio Symphony Orchestra, Sakari Oramo

Classical CD Reviews: Michael Tilson Thomas conducts Schumann and “The Gershwin Moment”

The San Francisco Symphony delivers performances of chamber-like sensitivity and remarkable transparency.

By: Jonathan Blumhofer Filed Under: Classical Music, Music, Review Tagged: Kirill Gerstein, Michael Tilson Thomas, Myrios Classics, SFS Media, The Gershwin Moment

Concert Review: Sibelius and Busoni at Symphony Hall

In the Piano Concerto, Ferruccio Busoni seemed to want to have the final word in the tradition of the Romantic concerto.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Boston Symphony Orchestra, Ferruccio Busoni, Kirill Gerstein, Sakari Oramo, Tanglewood Festival Chorus

CD Reviews: Lara Downes’ “America Again,” Gerstein’s Liszt, and Melnikov plays Prokofiev

Lara Downes’ America Again is a great album, and one with multiple layers of meaning.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music, Review Tagged: Alexander Melnikov, America Again, Kirill Gerstein, Lara Downes, Transcendental Etudes

Classical Music Review/Commentary: BSO / Pianist Kirill Gerstein – Whose America?

The BSO’s Americana concert could only provide four beautiful snapshots of a very complicated landscape.

By: Steve Elman Filed Under: Classical Music, Commentary, Featured, Music Tagged: Boston Symphony Orchestra, George Gershwin, Jacques Lacombe, John Harbison, Kirill Gerstein, Piano Concerto in F, Rhapsody in Blue, Tanglewood

Concert Review: Kirill Gerstein and the Boston Symphony Orchestra/Thomas Adés

With “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.

By: Jonathan Blumhofer Filed Under: Classical Music, Featured, Music Tagged: In Seven Days, Kirill Gerstein, The Boston Symphony Orchestra, Thomas Ades

  • Go to page 1
  • Go to page 2
  • Go to Next Page »

Primary Sidebar

Search

Popular Posts

  • Concert Review: Joe Jackson at the Shubert Theatre — A Restlessly Creative Artist at the Peak of his Powers Trampling on the expectations of his fans, of course, i... posted on May 22, 2022
  • Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in Years This movie reminds us that -- if there is any meaning t... posted on May 7, 2022
  • Classical Album Review: Violinist Lea Birringer plays Sinding and Mendelssohn Violinist Lea Birringer's performance of the Christian... posted on May 14, 2022
  • Book Review: Thomas Mann in America In the US, Thomas Mann tacitly proposed himself as an a... posted on May 5, 2022
  • Jazz Album Review: Guitarist John Scofield — A Solo Album, Finally Now that he’s 70, it’s only right that guitarist John... posted on May 3, 2022

Social

Follow us:

Follow the Conversation

  • Mia Lieberman May 23, 2022 at 12:38 pm on Opera Review: “Champion: An Opera in Jazz” — Fought to a DrawI saw it yesterday - even with the semistaging, it was a powerful production and one of the best productions...
  • Jon Goldberg May 23, 2022 at 8:22 am on Opera Review: “Champion: An Opera in Jazz” — Fought to a DrawThis is an impressive dramaturgical essay on the opera, but an actual review of the performance would have been appreciated....
  • David Kurtz May 22, 2022 at 5:52 pm on Concert Review: Joe Jackson at the Shubert Theatre — A Restlessly Creative Artist at the Peak of his PowersJoe has remained a mainstay in my library of musical collection . His musicianship and particularly his voice fit like...
  • Ray Cooper May 22, 2022 at 5:21 pm on Book Review: “Free” — A Communist ChildhoodBreaking out of the family faith is not easy. It certainly helps to know that the blind faith was not...
  • Strange Attractor May 22, 2022 at 12:21 am on Film Commentary: “Everything Everywhere All at Once” — The Most Serene Movie in YearsThen don't give it more press...

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2022 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz