Three CD reviews, including a disc featuring Joshua Bell, Steven Isserlis, and Jeremy Denk teaming up to play less-than-barn-burning favorites by Brahms.
Jeremy Denk
CD Reviews: Jeremy Denk’s Goldberg Variations, Jan Vogler’s Dichterliebe, and Hélène Grimaud’s Brahms Piano Concertos
A knockout performance from pianist Jeremy Denk, cellist Jan Vogler exudes a strong poetic sensibility, and pianist Hélène Grimaud’s Brahms Concertos are a mixed bag.
Fuse Concert Review: Pianist Jeremy Denk — Probing Intelligence and Wit
Pianist Jeremy Denk wields a large artillery of dynamics and colors and it served him well in this performance.
Classical CD Review: Jeremy Denk’s Ligeti/Beethoven (Nonesuch)
If you find classical music to be a vibrant, living thing in which inventive pairings and convincing realizations of music of the distant and recent past can speak in fresh and vital ways to the present, Jeremy Denk is your man and this is your CD.
Fuse Classical Music Interview: Pianist Jeremy Denk — Riding the Roller Coaster of Rhythm
Pianist Jeremy Denk says, “Being a musician can be very solitary and a bit navel-gazing (like blogging). I’m not sure that blogging made me saner, but it surely released a valve somewhere.” By Susan Miron. Pianist Jeremy Denk will be tackling one of the year’s most challenging programs this Sunday at 1:30 p.m. at MassArt […]
Classical Music Sampler: January 2011
I had always thought of January as a musically quiet month, but looking over the concerts I wanted to see, I realized how it is at least as great a month for concertgoing as any other in Boston. I am betting each of the concerts I listed here will be superb. By Susan Miron. January […]
Culture Vulture: Youth and Age at Tanglewood
By Helen Epstein This Tanglewood season, overshadowed by the absence of ailing maestros James Levine, Seiji Ozawa, and others who have canceled their appearances, has got me thinking about age and illness. There have been some compelling concerts these past two months, including Michael Tilson Thomas’s riveting Mahler renditions, but the absence of a strong […]
