It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
The sound on these discs couldn’t be more clear or precise; the music is low-key, thoughtful, and resolutely melodious.
Dave Holland’s Prism tells stories, several of which are very effective. Scofield’s, like his earlier Überjam releases, extends the jam-band esthetic into jazz without completely giving in to it. And neither of them would be as they are without the great looming shadow of Miles Davis.
It turns out that it was more than just a rumor that saxophonist Charles Lloyd spent some of the ’70s playing with The Beach Boys.