New recordings of Peter Schmoll and His Neighbors and of Euryanthe pose an embarrassing question: why is the opera repertory so narrow?
Capriccio
Opera Album Review: Oscar Wilde in the Opera House, Part 1 — Zemlinsky’s Intense Setting of “A Florentine Tragedy”
Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.
Classical CD Reviews: Florence Price’s Symphonies nos. 1 & 4, George Antheil’s Symphonies nos. 3 & 6, and 20th-century Russian Orchestral Music
Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.
Classical CD Reviews: Sir Neville Marriner — The London Recordings, Richard Strauss, Ein Heldenleben, James MacMillan String Quartets
A winning reminder of Sir Neville Marriner’s impressive stylistic range as a conductor, a fine recording of a much-loved and -played Richard Strauss tone poem, and a striking, powerful presentation of the string quartets of James MacMillan.