Boston-Lyric-Opera

Classical CD Reviews: James MacMillan conducts Vaughan Williams, MacMillan, and Britten and Boston Lyric Opera’s “Clemency”

July 30, 2015
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Two recent albums feature compositions by James MacMillan, one of Europe’s leading composers, as well as an opportunity to hear him conducting.

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Music Commentary: Notable Classical Performances of 2014

December 24, 2014
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It’s fun to recall what’s been played locally since January and be reminded just how rich the greater Boston area’s classical music scene really is.

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Opera Review: Boston Lyric Opera’s Powerful “Love Potion”

November 21, 2014
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With its Opera Annex productions – presenting unfamiliar operas in unconventional performance spaces – Boston Lyric Opera really seems to have found its niche.

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Concert Review: The Boston Lyric Opera Takes a Fresh Look at “The Flying Dutchman”

April 29, 2013
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The Boston Lyric Opera’s production of “The Flying Dutchman” may not the subtlest you will see — the Freudian elements are slathered on pretty thick — but the nervy dramatic concept adds to our understanding of the opera without compromising its core elements.

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Classical Music Review: The Boston Lyric Opera — An Efficient and Satisfying “Macbeth”

November 7, 2011
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The Boston Lyric Opera’s new production of “Macbeth,” with sets designed by John Conklin, is based on elements of a New York City Opera production and plays up the macabre elements of the story, which are many.

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Classical Music Sampler: November 2011

October 29, 2011
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It’s “Mahler Unleashed” month at the New England Conservatory. I heartily recommend all of the “Mahler Unleashed” events.

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Opera Review: ‘Tosca’

November 6, 2010
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The Boston Lyric Opera’s current production, adapted from the Scottish Opera, is updated, but this does no real damage. The three locales are properly preserved. And the three principal characters—opera diva Floria Tosca, her lover Mario Cavaradossi, and the lusting and villainous Baron Scarpia—hit their mark solidly. By Caldwell Titcomb. Some years ago the noted…

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Classical Music Review: ‘Idomeneo’

April 26, 2010
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Mozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…

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Classical Music Sampler: April 2010

March 29, 2010
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By Caldwell Titcomb April 1: Ursula Oppens, long a champion of contemporary music (and a 1965 honors graduate of Harvard), presents a free piano recital under the auspices of the Blodgett Distinguished Artists Series. The program includes John Corigliano’s “Winging It,” William Bolcom’s “Ballade,” Tobias Picker’s “Three Nocturnes,” the world premiere of Charles Wuorinen’s “Oros,”…

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Opera Review: ‘Ariadne auf Naxos’

March 25, 2010
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Reviewed By Caldwell Titcomb I was not able to catch Ariadne auf Naxos until the last of six performances that the Boston Lyric Opera (BLO) presented at the Shubert Theatre. By this time everything was clicking superbly—both the singers and the instrumentalists in the pit. What we got was a production that the BLO imported…

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