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Benjamin Evett

Theater Review: Queen Mab’s “Dream” — Good and Necessary

Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.

By: David Greenham Filed Under: Featured, Review, Theater Tagged: A Midsummer Night's Dream, Benjamin Evett, David Greenham, Queen Mab

Theater Review: Rebel Revels at the Poets’ Theater’s “Beowulf”

Everything in this production been given a Scandinavian flavor – special kudos to prosciutto for playing its role as boar’s meat quite well.

By: Marcia Karp Filed Under: Featured, Review, Theater Tagged: Benjamin Evett, Beowulf, Beowulf: A Feast of Story, David Gullette, Johnny Lee Davenport, The Poets' Theatre

Theater Interview: Staging “Beowulf” for the Holidays

“Mostly I want people to enjoy a feast of language, imagery, story, and the power of the actor to incite the imagination.”

By: Bill Marx Filed Under: Featured, Preview, Theater Tagged: Benjamin Evett, Beowulf, David Gullette, Jay Mobley, Seamus Heaney, The Poets' Theatre

Fuse Theater Review: “Albatross” — A Return to Theater as Poetry

Albatross is terrific — a powerful script, vital performance, and imaginative stage design.

By: Ian Thal Filed Under: Featured, Review, Theater Tagged: Benjamin Evett, Matthew Spangler, Robert Scanlan, S.T. Coleridge, The Poets' Theatre, The Rime of the Ancient Mariner

Theater Interview: Wordsmiths Strike Back — The Poets’ Theatre Redux

We intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.

By: Bill Marx Filed Under: Featured, Interview, Theater Tagged: Aidan Parkinson, Alvin Epstein, Benjamin Evett, Cherry Jones, Christopher Lydon, David Gullette, Dylan Thomas, Erica Funkhouser, Karen MacDonald, Lawrence Senelick, Lloyd Schwartz, Poets' Theatre, Robert Scanlan, Thomas Derrah, Under Milk Wood

Theater Review: A Listenable ‘Opus’

“Musicians take all the liberties they can.” — Ludwig Von Beethoven Opus by Michael Hollinger. Directed by Jim Petosa. Staged by the New Repertory Theatre at the Arsenal Center for the Arts, Watertown, MA, through April 17. Reviewed by Bill Marx In Opus, dramatist Michael Hollinger belies Beethoven’s frustrated observation about the free-wheeling nature of […]

By: Bill Marx Filed Under: Featured, Theater Tagged: Arsenal Center for the Arts, Benjamin Evett, Jim Petosa, Michael Hollinger, New Repertory Theatre, Opus

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