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Fuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…
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A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
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Mainstream environmentalism is not just serious and sanctimonious, it also happens to be very white and very heteronormative.
Read MoreBTC’s experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contemporary American context.
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“If you are more critical or try to highlight some of the worst things that happen in America, then you are un-American or anti-American.”
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Charli has successfully dramatized her impatiently jagged state of mind, supplying an emotionally honest stream of consciousness that suggests what she (and no doubt many others of her generation) is feeling and thinking in quarantine.
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Lespecial proves that not all “jam bands” are simply children of the Dead.
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Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
Read Moreit’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.
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WATCH CLOSELY: “The Exorcist” — The Devil and the Deep State
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
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