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“Witness Uganda” is a quintessential American musical — a work of cultural tourism that condemns cultural tourism.
Read MoreAs a solo artist, Neil Finn’s moved away from straightforward pop and toward a moodier sound, with lyrics asking bigger questions about life and mortality.
Read MoreBoth King Crimson and The Zappa Band made the best of treating old catalogs as historical repertory.
Read MoreIt’s hard to convey what a benison these books have been to me, as I’ve read them in my narrow, monkish bed late into the night.
Read MoreThe author’s combination of knowledge and experience has resulted in a boisterous chronicle of one of indie rock’s least probable but most luminous and unremitting stars.
Read MorePeggy Lee’s career took her far from the bifurcated sexual image expected of a canary — 40% coy seductiveness and 60% “I just want to settle down but will entertain you until the right guy comes along.”
Read More“Clybourne Park” was expressly written to be in conversation with Lorraine Hansberry’s “A Raisin in the Sun.” The former gives us a new perspective — actually new perspectives — on the latter.
Read MoreFor prog fans who consider that the proof of the pudding is long, complex songs with virtuosic solos and exotic instrumentation, no fear: To The Far Away is multi-textured and musically exciting.
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Rethinking the Repertoire #7 – Christopher Rouse’s “Phantasmata”
Christopher Rouse is a tough composer to pin down and that stylistic unpredictability has, in part, provided his music notable expressive breadth.
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