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And so I go, Jewish and glad to be, theatre director—maybe between gigs, old enough to believe that movies are best on the big screen among other (quiet) viewers and that you don’t have to be Jewish to love good Jewish movies. By Joann Green Breuer The danger of speaking critically of any ethnic art…
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It was not just networking that propelled William Parker into the front rank of bassists. He could generate such a huge and complex cascade of sound that he energized leaders from Cecil Taylor and Ivo Perelman to Zoh Amba.
Read MoreIngeborg Bachmann wanted freedom for them both. She says in her letter, “I am free and I am lost in this freedom.” Dominique Frot is a brave actress. She presents the poet’s freedom in her body and voice.
Read MoreThe 64,000 question is, if the artists’ concerns gravitated to the Marathon Bombings, why did “Interference”‘s press releases and the program cite Picasso’s “Guernica”?
Read MoreArts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreArts Remembrance: Robert Scanlan — An Animating Force in Boston-area Theatre for Nearly Five Decades
“An inspiring intelligence combined with a high level of artistry is a rarity in the arts. With the loss of Bob Scanlan, the worlds of both theatre and poetry have cause to mourn.”
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s especially eclectic list includes The Allman Brothers Band, Roy Brown, Black Sabbath, Johann Sebastian Bach, and the Art Ensemble of Chicago.
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Arts Commentary: The Declining State of the Art of Arts Journalism
Theater critics, film reviewers, A&E editors, and arts columnists have been stripped from our dailies and weeklies. Why should you care? Oscar Wilde warned that an age without criticism is “an age that possesses no art at all.”
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