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The Newport Folk Festival always pulls off unique, unexpected collaborations, while it embraces a head-spinning lineup of diverse genres that reflects its spirit of community.
Read MoreThere are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
Read MoreThe emotional peak of the entire night was Bob Dylan’s gently understated performance of “What Good Am I?” from 1989’s Oh Mercy.
Read MoreBorn from O’Donovan’s long-running WGBH-radio program, “A Celtic Sojourn,” the Christmas show mixes traditional Irish, Scottish, and Welsh fare with favorite Christmas songs performed with such affecting beauty that it’s reasonable to say you’ve never heard them like this before.
Read MoreIn wrapping up Fantasia, I focused on The Five Rules of Success, Come True, and The Dark and the Wicked, three ambitious genre titles that have stuck with me long since their credits rolled.
Read MoreThe prose of Patrick Modiano, this year’s Nobel prizewinner, has a distinctive French style whose directness and grammatical limpidity by no means exclude semantic depth and complexity.
Read MoreCompiled by Bill Marx As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in. The DocYard Spring Series…
Read MoreAlice Oswald’s “Memorial” begins with a list of 214 names, a bare, sorrowful cousin to the ship’s roll. If you know the old stories, you’ll begin to recognize some names, and then start to look forward to others.
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Theater Commentary: Notes Toward a Definition of Theater, Part One — “Be Bold and Wild”
As we grapple with building the brave new world of live theater in a Covid and post-Covid world, a few stray thoughts.
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