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Theater Interview: “Fall” — Probing Arthur Miller’s Secret

May 11, 2018
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Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?

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Film Commentary: Witches are the Rage

November 17, 2016
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Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.

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Opera Review: Odyssey Opera’s “Un giorno di regno” — A Delightful Confection

June 20, 2014
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May Odyssey Opera continue gracing Boston’s opera scene for seasons to come with such delightful performances as this.

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Rock Album Review: Alternative Music Round-Up

November 5, 2013
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A pithy critical consideration of new releases from Flaming Lips, The Frights, Mind Spiders, Radioactivity, Ólöf Arnalds, Lee Bannon, Armand Hammer, and Haunted Horses.

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Theater Commentary: A Rare Outing for an Undervalued American Drama

October 13, 2010
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By Bill Marx Can’t we get our unjustly neglected American playwrights right? A chance to see a marvelous, overlooked American play of the 1950s.  And it is not by the prosaic William Inge. “When something seems ‘the most obvious thing in the world’ it means any attempt to understand the world has been given up.”…

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Movie Review: Oscar Nominated Live Shorts — A Very Competitive Year

February 22, 2012
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Five strong contenders: production values are high, the actors excellent, and four are beautifully grounded in their settings –- Norway, Calcutta, and two in Ireland.

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Concert Review: Kirill Gerstein and the Boston Symphony Orchestra/Thomas Adés

November 16, 2012
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With “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.

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Film Review: “Take Me to the River” — Morality in the Midwest

April 3, 2016
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Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.

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Music Interview: Paul Collins — The Still Reigning King of Power Pop

January 24, 2016
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After more than four decades, Paul Collins is still keeping The Beat

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Theater Feature: Bridget Kathleen O’Leary Talks about GSC’s “The Flick”

August 27, 2015
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“An Annie Baker pause is about the people themselves, beating themselves up, figuring out what to say next.”

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