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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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This week’s poem: Marc Vincenz’s “Spock Is Not a Myth”
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It’s likely, the playwright suggests, that Americans are incapable of getting out of their own way long enough to cooperate in ways that do anything about the challenges that we face as a society and a country, let alone the world.
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The dynamics of this splendid trio album, “a response to the division and turmoil in our world,” are gracefully balanced.
Read MoreThe Spellbound Contemporary Ballet performed the U.S. premiere of Le Quattro Stagioni.
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In Only For Dolphins, Bronson serves up his usual brand of excessive escapism, but it is offset by just enough emotional depth to suggest that he is maturing as a person and an artist.
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This lively foray into popular history, and others, exemplifies the move to attract younger audiences with open and freewheeling interests in gender and sexual nonconformity.
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If “La Chimera” is a bit harder to penetrate than the director-writer’s previous works, it boasts some captivating passages and raises pertinent questions about art, history, globalism, and national identity.
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The book’s final words offer hope for the future: “Despite the compromised nature of the trans film image of the past, there are many new horizons possible for the trans film image of the future, and that canvas, with all these images, will tell our story in cinema.”
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