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by Justin Marble Beeswax, directed by Andrew Bujalski, showing at Coolidge Corner Theatre. Boston native Andrew Bujalski’s third feature film, “Beeswax,” does not reel off the trials and tribulations of superheroes, pirates, serial killers, or giant transforming robots. There’s no killer shark, no Godzilla, no guns, and no aliens. Brad Pitt and Julia Roberts do…
The 76-year-old Carlos Santana didn’t need to dominate with guitar showmanship to make his two-hour-plus concert fly without any lag in energy and spirit.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
This is the event’s 48th year, making the Boston Sci-Fi Film Festival the longest running genre festival in the country.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
A terrifically fun — when not spine-tingling — exhibition of horror and sci-fi memorabilia.
The Lyric Stage Company’s thoroughly enjoyable production more than does “Into the Woods,” Stephen Sondheim’s un-Disneyfied version of fairy tales, justice.
Chris Daze Ellis takes a serious risk. If you hang your work next to Berenice Abbott’s, it had better be as brilliantly framed, as firmly direct, and as perfectly focused as hers.
The Boston Early Music Festival is THE place for performers to be heard. And there are enough good programs, between the big Jordan Hall concerts, the two operas, a Family Day program, the mini-festivals for organ and keyboard, fringe concerts at at odd hours of the day and late night, for everyone.
Jackass Forever is incredibly stupid, totally irresponsible, completely juvenile, and it made me feel alive in my body for the first time in weeks.
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