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Accessible to the art-loving novice, Blake Gopnik’s Warhol suggests that his subject’s marketing genius doesn’t have a time limit.
Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
Liz McQuiston writes that the posters collected in her book are meant to “pay tribute to the liberating concept of hard-won ‘freedom of speech’ throughout history.”
Above all, Joan Tower’s music doesn’t waste your time.
It was a rocking night, full of fun and energy. It was intelligent, maybe even a bit brainy at times.
Given these challenging cosmic themes and a nonlinear style, it’s unsurprising that most of Paul Simon’s So Beautiful or So What lacks vivacity. Still, the album maintains Simon’s reputation as one of the best songwriters in the business. By Michela Smith Paul Simon adores tinkering with words. In the past, lyrics like “when the radical…
Antonio Tabucchi’s “travel book” transcends conventional literary forms: his stories occupy an attractive space between fiction and non-fiction, poetry, biography, short story and journalistic travel piece.
Rose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.
Backbeats is a detailed and informative story. Each profile functions as an entry point into a selective but substantial survey of roughly seventy-five years of rock history.
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