Search Results: robert hughes

Film Review: “Our Kind of Traitor” — Spies Left Out in the Cold

July 12, 2016
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Our Kind of Traitor provides plenty of agreeably tense entertainment.

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Fuse Performance Review: Z Marks the Spot — Cirque Zíva Wows

March 27, 2015
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The Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.

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Shelter in Place Attractions: January 24 through February 9 — What Will Light Your Home Fires

January 24, 2021
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.

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Television Review: “Barry” — The Trials and Tribulations of a Low-Rent Hitman

October 5, 2018
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One of Barry’s strongest attributes is its brand of dark, surreal, and unexpectedly witty satire.

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July Short Fuses — Materia Critica

July 1, 2024
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Best Jazz Recordings (and Live Concerts), 2019

December 12, 2019
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Pianist Kris Davis’s Diatom Ribbons and the multi-disc set Nat King Cole’s Hittin’ the Ramp: The Early Years (1936-43) are among the albums that made more than one list.

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Dance Review: “Object.” — Objectifying Women, Intensely

November 20, 2019
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We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.

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Jazz Album Review: A Confidently Rousing “La Marseillaise” from Pianist Laszlo Gardony

October 25, 2019
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One of the strengths of Laszlo Gardony’s playing is his confident insistence on what he is doing, his impressive self-assurance.

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Book Review: “Peggy Guggenheim, The Shock of the Modern” — The Woman Behind a Remarkable Legacy

October 1, 2015
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Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.

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Theater Review: “Leopoldstadt” — Bearing Witness

September 23, 2024
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“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.

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