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I found myself most interested by the fact that so many of the changes that took place at WBCN made absolute sense to me, even if I had an aesthetic beef with them.
Read MoreAudiences knew (or at least thought they knew) something was up, and that something was what made these performers unique.
Read MoreTop Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
Read MoreShouting and honking saxes made visceral appeals to the emotions and the body. For jazz critics, this kind of theatricality degraded what should have been ‘Art.’
Read More“It’s easy to see why we have such a lousy life and such great literature.”
Read MoreThe Sadness is an especially brutal film about societal collapse and how public health crises like COVID-19 amplify whatever savage impulses lie dormant within us.
Read MoreIn moments like these, the band Riverside captures the Jimmy Giuffre ideals of sonority and counterpoint — where even the drums act as another complementary linear voice.
Read MoreHis art’s sunny, unhurried elegance, so at odds with its message, suggests that Finlay is taking a Swiftian rhetorical stance.
Read MoreThe nine tales found in “Maybe This Time” chart the unnerving psychological transformations of its characters. Its style forces us to reconsider our ways of reading and our childlike dependency on narrative authority.
Read MoreRevisiting a former Arts Fuse regular feature: the arts on stamps of the world.
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