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Perhaps most remarkably, BSO conductor Stéphane Denève managed to create an atmosphere in which the Symphony Hall audience, which at this time of year sometimes sounds like it’s made up of inpatients from a tuberculosis ward, was utterly captivated: even the quietest moments were accompanied by a welcomed, attentive silence.
Read MoreWe should look forward, eagerly, to hearing more lost, or previously issued music, from Jazzhaus. And be grateful to the European public for supporting these concerts and broadcasts.
Read MoreI can say, without equivocation, that Helen Dunmore’s novel “The Greatcoat” is no “The Turn of the Screw.”
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At a time when ambitious women of any sort were often harshly criticized for pursuing a professional career, Barbara Rose only forged on.
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“It’s not something to be tolerated,” saxophonist Kamasi Washington said. “It’s something to be celebrated.”
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Laurie Sargent and Billy Conway found their sanctuary under the big sky of rural Montana, and their art echoes the genuine nature of their lives, shared across the miles with their Boston base.
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Terrific, fiery playing from George Li, one of the most compelling young pianists on the scene; Mariss Jansons’ recording of Shostakovich’s Tenth trudges from start to finish; irrefutable proof of Andris Nelsons’ excellence as a new-music conductor.
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Another operatic version of Oscar Wilde’s one-act love triangle that ends with the woman’s husband murdering her lover, to her enraptured delight.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Arts Commentary: Consider the Self — I am George Floyd. I am Derek Chauvin.
I am Derek Chauvin, and I am George Floyd. Who are you?
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