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Taken together, this is a release that showcases both the Rotterdam Philharmonic Orchestra and its chief conductor – as well as their repertoire choices – in a brilliant light.
Read MoreHe came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
Read MoreBy Caldwell Titcomb Harvard’s two main volunteer musical events of the summer took place on consecutive nights in Sanders Theatre. The Summer Chorus, buttressed by a full orchestra, held forth on Friday, July 30, and the Summer School Orchestra followed on Saturday, July 31. The former was of special significance since the conductor, Jameson Marvin…
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Prices for Broadway tickets are out of control. But that’s not stopping people from buying them — provided they get to see the right Hollywood stars.
Read MoreWilliam Gass’s primal loyalty was to the words composing his texts.
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In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
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This is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.
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Franz Peter Zimmermann’s rendition of Stravinsky’s Violin Concerto overflows with style and character; James Ehnes’ version is generally warmer and more relaxed, though it doesn’t lack for rhythmic zip.
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Yes, purchasing this EP will help out a good cause, but the musical value of this fabulous duo’s performance is priceless.
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I think of Bill when I hear from struggling young writers, desperate to get it “right” – and to be accepted and published and make a living in a ridiculously difficult field.
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Holiday Commentary: Making Room for the Stranger