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“The hardest part of the book for me to write was the conclusion. It’s a very dark book. I didn’t want to write a dark conclusion, but I also didn’t want to be Pollyannaish about it.”
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Because Mindy Aloff is so deeply personal and idiosyncratic — and so dependent on what was programmed by certain theaters, in certain years — her book distorts the very topic it is intended to illuminate.
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This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
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Open Mike Eagle may have written this album for himself, but many others will recognize themselves somewhere in his words and in his pain.
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This entertaining version of The Nutcracker reflects Boston’s rich multicultural diversity.
Read MoreAs expected, Expedition to the End of the World is visually stunning. The problem is that we needed to see more of the world and hear less yakking from the humans who inhabit it.
Read MoreA sensitive folkie may tell you to get beyond your negativity; these guys tell you to “take all that bullshit and put it in the dumpsta.”
Read MoreBut Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
Read MoreThe Arts Fuse is pioneering independent arts journalism for the digital age. And arts lovers are engaged. Launched in 2007 by Editor in Chief Bill Marx, artsfuse.org now has 60,000+ monthly visits, 8,000+ articles, 2,000+ email subscribers, 6,000+ Facebook fans, 4,500+ Twitter followers — and they’re all growing daily. We’re helping to create a new…
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For anyone interested in the man or that era, De Gaulle is indispensable.
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Holiday Commentary: Making Room for the Stranger