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Matthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.
Read MoreTwo discs released by Harmonia Mundi benefit from the dramatic flair of conductor René Jacobs.
Read MoreBy James Marcus At its best, an opera about the death of Spanish writer Federico Garcia Lorca is a tour-de-force. Ainadamar, an opera by Osvaldo Golijov. (Deutsche Grammophon) For most composers, geography is destiny. Even Schoenberg — whose innovations were supposed to release music not only from its tonal prison but from the local idiom…
Read MoreFilm Interview: No Jumping to Conclusions in ‘Sunshine Superman” — Talking to Director Marah Strauch
Marah Strauch’s documentary tries to fathom Carl Boenish’s motive for taking his last leap.
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Two-plus hours of delight for anybody interested in Baroque opera, or willing to try it.
Read MoreOne admires not just the quality of Brian Stokes Mitchell’s voice, but his artistry in getting to the emotional heart of whatever he is singing. He has long been a national treasure. Reviewed By Caldwell Titcomb The Celebrity Series concluded its 2009-10 season with one of its finest offerings: a solo concert by Brian Stokes…
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The smallish Friend Recital Hall was an ideal setting for pianist Laszlo Gardony to impose his engaging personality, as well as his musical versatility and power.
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The first three films I saw at the Sundance Film Festival were very high-profile premieres.
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Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
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Nightconcert contains enough that is new and fresh to make this album one of the exciting discoveries of the year.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?