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This performance of Ives’ Third was the most welcome entry in the Boston Philharmonic Orchestra’s celebratory season – a beautifully considered, powerfully rendered account of this too-neglected score.
Read MoreThis is an evening that, through an excess of imagination, makes as little sense as possible.
Read MoreThis is the third installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw — this time around its an appreciation of the Trisha Brown Dance Company.
Read MoreBoston’s Cantata Singers opens its 48th season with an eclectic musical mix of the Baroque and the Modern.
Read MoreWhile 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.
Read MoreViolinist Yevgeny Kutik delivered a performance of the Prokofiev’s Second Violin Concerto that mined the piece’s subversive character but never shied away from its extroverted nature.
Read MoreSpanish literary phenomenon Javier Marias has come up with a spy novel that is more concerned with a theoretical investigation of truth, trust, and betrayal than with cloak and dagger spying.
Read MoreBoston’s Outside the Box festival falls far short of its stated mission to be “revolutionary” or “world class.”
Read MoreOne of the world’s greatest bass players recently enthralled a standing-room only crowd with a masterful performance, and the attendees could not have numbered more than 75 people.
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Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
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