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New recordings of Peter Schmoll and His Neighbors and of Euryanthe pose an embarrassing question: why is the opera repertory so narrow?
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A devastating piece, given the recent mass murder in Parkland, Florida, but DeKalb Elementary unfolds with an almost eerie calm.
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This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
Read MoreThe Boston Philharmonic Orchestra handled Lutosławski’s aleatoric textures with confidence, though the all-important brass interruptions felt more hesitant than decisive, making the work’s narrative quality rather episodic as opposed to smoothly flowing.
Read MoreI ask you to consider contributing to The Arts Fuse so that we can continue to be an indispensible part of the Boston arts landscape.
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“At Boston Baroque, as we look to the future, we take comfort in knowing that redefining ourselves is in our organization’s DNA.”
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This wake-up call — what will artists be asked to do to please the powers-that-be? — is also a good read.
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Music Commentary: Jazz, Ed Sullivan, and Television
These performances on The Ed Sullivan Show occurred almost exclusively between 1957 and 1964 and that’s not happenstance. They coincide with the only slice of time when different styles of jazz ever got a significant airing on television.
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