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Opera Review: Odyssey Opera’s “Die tote Stadt” — Setting the Bar Higher

September 15, 2014
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Nothing, until the very end of the opera, is ever settled or, even, as it seems: this is psychological musical drama writ large and graphically.

Visual Arts Review: Boston Cyberarts’ “The Game’s Afoot” — Something Clever

March 20, 2013
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None of these games engendered any suffering at all. They were already pre-designed for failure; a player has no chance of success. But isn’t part of the pleasure of gaming the repeated failures that, over time, lead to successes?

Film Review: “Safe in Hell” — A Fallen Woman Picture and a Sleazy Buddy Movie

November 14, 2017
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Dorothy Mackaill is riveting as Gilda, a wronged working woman turned prostitute in the no-options depths of Depression-era New Orleans.

Film Review: “Take Me to the River” — Morality in the Midwest

April 3, 2016
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Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.

Book Review: The Woman Who Killed Princess Diana?

August 15, 2011
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Perhaps the novel is not the most original read, but AN ACCIDENT IN AUGUST contributes to the growing number of literary meditations on the evolving pathology of celebrity,

Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room

May 22, 2015
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Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.

Theater Review: “Rosencrantz & Guildenstern Are Dead” — Absurdist Death Pangs

October 2, 2019
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Much ado about nihilism.

Translator Interview: John Taylor on Philippe Jaccottet

December 8, 2022
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“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”

Book Review: “Woe from Wit” — A Great Russian Drama, Newly Translated

April 17, 2020
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One of the masterpieces of Russian drama is done justice in a English version that successfully captures much of the wit and fluency of the original.

Opera Album Review: Baroque Music Enlivens the Boston Music Scene and Two New French Recordings

September 17, 2024
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The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.

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