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In this promising filmmaking debut of Cord Jefferson, we’re given a too-rare peek in cinema into upper middle-class African-American life.
Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
For those averse to sports, The English Game is focused more on attitudes and mores of the time than on the game itself.
One marvels at Bill Frisell’s improvisations, which can be both surprising and songful.
Popstar’s silliness is monumental, and wonderful.
Hollywood Express is closing at the end of July. Movies will be distributed by Cloud. Have you ever tried talking to the Cloud?
Let’s face it, we could all use a celebration of renewal and togetherness that crosses cultural (and political) borders.
Those who want to experience the brilliance of Bertolt Brecht at its mellowest should head down to Yale Rep’s lively and moving production of The Caucasian Chalk Circle.
Theater Commentary: Jukebox Musicals — The Trend Continues, Alas
Producers are tapping into a specific demographic: predominantly white audiences that are flush and who crave the thrill of hearing – and seeing – their favorite tunes performed live.
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