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Jazz CD Review: Dexter Gordon and John Coltrane Redux

July 20, 2018
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The release of previously unavailable recordings from Dexter Gordon and John Coltrane are causes for celebration. Two unforgettable voices in jazz — are back!

Book Review: “The Butcher’s Trail” — A Masterful Account of Tracking Down Balkan War Criminals

January 18, 2016
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Anybody who has the good sense to pick up a copy of this book will find it instantly fascinating.

Fuse Dance Feature: KEIGWIN + COMPANY — Choreographic Infectiousness

April 3, 2015
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“It takes a special choreographer to make audiences laugh, reflect, and empathize.”

The Arts on Stamps of the World —October 21

October 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part One

May 4, 2015
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Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.

Author Interview: Stephen Vladeck on the Troubling Rise of the Shadow Docket at the Supreme Court

July 3, 2023
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A conversation with author Stephen Vladeck who has been called out publicly by Justice Samuel Alito for his criticism of the Supreme Court’s abuse of the shadow docket.

Opera Album Review: August Enna’s Wagnerian “Kleopatra” — Revived on Danish Soil After 122 Years

July 27, 2021
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August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.

Stage Commentary: Making Boston Theater Magical Again?

July 24, 2018
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Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.

Jazz Album Reviews: Jazz Composers’ Omnibus 2024

August 10, 2024
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Each of these four projects requires deep attention from a listener. Only two of them repay that attention with the musical rewards that bring a listener (this listener, at least) back for rehearings.

Dance Preview: Radio Dancing — A Conversation with Monica Bill Barnes

January 17, 2015
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Monica Bill Barnes’s choreographic method can be characterized as make ’em laugh, then make ’em think.

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