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Visual Art and Design: A Design Controversy on Four Wheels — The Tesla Cybertruck

October 11, 2025
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Let me be clear where I stand on the Cybertruck controversy. I have never ridden in, driven, or even touched one. But I love the way it looks.

Dance Review: Paula Josa-Jones — Shape Shifter

June 7, 2016
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Josa-Jones is a unique mover, totally committed to her movement, and totally moving in every body part.

Fuse Theater Interview: Ken Cheeseman on “Bakersfield Mist”

March 1, 2012
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We’re in this virtual reality age now, asking new questions about what art is. What has true meaning and what doesn’t?

Book Review: Filmmaker Werner Herzog’s Memoir — The Profound Voice of a Master

October 7, 2023
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Werner Herzog likes the odds in “Every Man for Himself and God Against All.”

Book Review: “Reflectory: The Life and Music of Pepper Adams” — An Enigmatic Master

December 21, 2022
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It’s hard to imagine anyone producing a more complete and authoritative biography of baritone sax player Pepper Adams.

Opera Album Review: An Enchanting New Recording of a Short Vivaldi Opera about … the River Seine

November 9, 2022
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Revelations continue: a composer best known for his sonatas and concertos (the Four Seasons) is a master of vocal music as well.

Rock Feature: Despite the Pandemic, Goose Is Flying High

November 10, 2020
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“It was a little frustrating at first, but we’re figuring out how to give music to the people that need it right now.”

Dance Feature: Helping Fayard Nicholas

January 6, 2006
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By Debra Cash Only medical skill, the support of friends and family and perhaps the prayers of his fans can help Fayard Nicholas recover from the stroke the gentlemanly 91-year old African-American dancer suffered on November 22, 2005. But those of us who thrilled to the virtuoso tap dancing of the Nicholas Brothers in the…

The Arts on Stamps of the World — December 4

December 4, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Concert Review: Bob Dylan and His Band at Boston’s Orpheum Theatre

November 19, 2014
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Unlike past concerts where Dylan gave what he could but the audience gave nothing back, at the Orpheum Bob seemed to be genuinely enjoying himself on stage.

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