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Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.
Augustin Hadelich has the feeling of this music – its bittersweet melodic phrases, dancing riffs, and restrained passion – well in hand.
As my second wave feminist companion said as we left the theater, “That was hilarious. And I am SO ANGRY.”
What keeps the film churning? Not much. A bit of withheld information.
At 85, Herbie Hancock can still funk it up.
The Oscar-nominated animation shorts are a dark lot this year.
The unmistakable flavor of R&B can be found throughout Charley Crockett’s work
I trust Bowie, the way I trust Stevie or Miles or Aretha or Duke or Bach or Debussy or Ornette or Rahsaan or the recently departed Paul Bley.
By Steve Elman My conversation with jazz critic Bob Blumenthal circled around two poles. Part one focused on the music of Sonny Rollins. Part two concentrates on the making of the new book, Saxophone Colossus: a Portrait of Sonny Rollins. Text by Bob Blumenthal. Photography by John Abbott. Abrams, 160 pages, $35. Aside from the Saxophone…
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