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For all of its earnest interest in healing some of the great divides in American life, Other Desert Cities ends up slighting the desert spaces that lie between us.
Most museums today dream of coming up with striking public images. In that sense, the Portland Museum of Art’s acquisition of SEVEN combines a significant artistic statement with a marketing coup.
The CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
All is Calm juxtaposes the gravity (some might say the idiocy) of war with the simple human gestures that the opposing sides extended to each other during a remarkable cease fire.
“Now I’m retired, but I still look forward to honoring the legacy of John Coltrane.”
Through fresh new works and a welcome toss-up of pieces commissioned during Koussevitzky’s historic tenure, the BSO’s coming season will honor the fullness of the Russian-born conductor’s legacy.
When it comes to jazz, you can be pretty confident that when you put excellent players together — whether they know each other or not — something very good will happen. And it did.
Some of J.M.W. Turner’s most personal, experimental, and enigmatic works have been selected for this show. They are also among the most fragile and least often shown.
Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.
Arts Commentary: Some Thoughts on the Boston Philharmonic Youth Orchestra’s 2019 Brazilian Tour
Suffice it to say, the tour was an extraordinary experience, musically and culturally, and, for me, a conspicuously potent introduction to a new continent.
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