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There is a steadiness about Nicholas Roe’s writing that is deceptive; the life in the Life does not jump off the page, but it accumulates during the reading so that something of what it felt like to be around John Keats remains, as things do when truly experienced.
Read More[Updated.] Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThis Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
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We’d returned to the New Orleans Jazz & Heritage Festival. We’d ridden a paddle-wheeler on the Mississippi River. It was good to be back, and why we’ll go back every chance we get: to life.
Read MoreWilling Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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If historian Thomas Crow’s goal is to explain how these rebels of the counterculture reshaped American art, he is at least partly successful.
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In Extremis is required reading not only for anyone interested in war, but for anyone interested in how an unusual woman makes her way in the world.
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Fuse Commentary: 2013-1014 Orchestral Season Preview
So, even though certain pieces by Mendelssohn and Beethoven seem to be turning up with greater frequency than perhaps may be healthy, there is still much to admire and look forward to in the upcoming orchestral season.
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