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Is it true that if I love my neighbor I can, or will, like myself? This question cuts to the heart of the poems in Heni Cole’s volume “Touch,” and the answer is yes.
Read More“It’s not depressing to be told that writers and artists are getting screwed. It’s our daily reality.”
Read MoreThe New Orleans JazzFest is made for omnivorous gluttons, which makes it a perfect complement to the region’s cuisine.
Read MoreBorn from O’Donovan’s long-running WGBH-radio program, “A Celtic Sojourn,” the Christmas show mixes traditional Irish, Scottish, and Welsh fare with favorite Christmas songs performed with such affecting beauty that it’s reasonable to say you’ve never heard them like this before.
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For many years now, we’ve collected brief lists of important jazz figures who passed in the previous year.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Here’s yet one more fantastic thing about it no longer being 2020: it’s now the 50th anniversary of the excellent music that premiered in 1971.
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Music Commentary: Nanci Griffith vs. the “New Yorker”
It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
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