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The Winter’s Tale‘s odd structure and hybrid genre is a challenge to modern directors and audiences alike.
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Jeff Beck didn’t play the fastest runs but wielded dynamic emotion in every deftly spaced note – and didn’t even use a pick.
Read MoreBlack Swan isn’t about surpassing ordinary limits. It’s a film about a masochist seen through the eyes of a sadist. The film could be a textbook demonstration of what academics refer to as the male gaze—with a pretty young thing poked and dismembered under a misogynist lens. By Debra Cash Darren Aronofsky has said that…
Read MoreThe heart of this theatrical reboot is what it means to go for broke and bet on love, or art, or both.
Read MoreSub-titled “An Ode to the New England Shoreline,” Beach Rose offers three or five courses, depending on the time (and budget) you have.
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Even without international-caliber singers and players, Giovanni Piaisello’s “Amor vendicato” works much magic.
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“You don’t really know how to perform bluegrass until you interact with others.”
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The acts of reinvention in “Mission: Impossible–Dead Reckoning Part One” are revelatory, object lessons for how all future summer sequels can be written.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues