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The New York Film Festival’s Revivals section offers a preview of valuable recent restorations. Even if these superb movies don’t all make it to American theaters, they’re likely to pop up on physical media or VOD.
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Despite Leonard Cohen’s outward humility, he was, in fact, an artist who very much cultivated acclaim, and wanted that attention to endure.
Read More“A great novel makes for the best script an actor could imagine,” said actor Colin Firth recently, on accepting an award for his reading of Graham Greene’s The End of the Affair. Many theatergoers would agree.
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This show brings together works that emphasize an optimistic view of where we are by dramatizing ways in which we can develop a more empathetic connection with the struggling environment.
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The Dig is suffused with a very English (and problematic) sense of history: why it matters, how it can be taken for granted, and the odd way that certain elements of the past are valorized while others are kept buried.
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Down in the Weeds, Where the World Once Was is a natural next step forward for Bright Eyes, evolving while remaining true to their core identity.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Wildly imperfect but intriguingly ambiguous, the film’s flaws and contradictions are a virtue because its purported saintly hero is so hard to pin down.
Read MoreOur theater critics pick some of the outstanding productions of the year.
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These satanists are far less concerned with organizing decadent ceremonies (though there is a fair bit of that, and it’s thrilling to behold) than they are with exposing corruption and hypocrisy.
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