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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
It’s hard to grasp how Jonathan Lethem assimilated all this material — historical and fantastic — and gave it new narrative life in Dissident Gardens, except by granting, to start with, his special genius for absorption.
An Arts Fuse regular feature: the arts on stamps of the world.
The Final Revival of Opal & Nev imagines an Afro-Punk duo whose edgy look and aggressive sound offer a way of addressing timely issues around race and representation.
Vibrant, independent theater in Boston and throughout New England will not be sustained if the demolition starts at the bottom and moves up.
Mary Zimmerman’s adaptation provides a delightful evening of tall-tale storytelling that reverberates with deeper meanings amid a cross-cultural context.
With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
Critic Eric Bentley valued the theater of audacity above all, and that is just what is on glorious display in Trinity Rep’s marvelously nervy A Lie of the Mind.
Music Commentary: Ken Burns’ “Country Music” — Superb Cinematic Storytelling
Country Music digs into the rich, deep dirt of a music with a complicated past, a hybrid genre soaked in soulful suffering, twangy glory, and times both high and tough.
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