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“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
Read MoreChick Corea and Gary Burton were celebrating their recent disc, “Hot House,” which they said was meant to recall the sixties, when the two were starting their careers. But the sixties were never quite like this.
Read MorePaterson is a movie about how ordinary it may be to see the world in a grain of sand.
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“There are no weak spots; I feel happy and confident with how every song came out.”
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The most compelling reason to tune into this series is the superb cast, led by Hugh Grant and Ben Whishaw.
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The Shores of Bohemia is clearly a labor of love, and a worthy one. But John Taylor Williams’ idea of “a group portrait,” however attractive, proves impossible to pull off.
Read MoreDramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…
Read MoreOne of my favorite quotes from Gil Evans is, “Quit playing what you think I want you to play!”
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s especially eclectic list includes The Allman Brothers Band, Roy Brown, Black Sabbath, Johann Sebastian Bach, and the Art Ensemble of Chicago.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner