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The script focuses on the internal struggles that made Eleanor Roosevelt an uncomfortable wife, rather than taking a deeper dive into the moral and progressive vision that made her such an admirable first lady.
The Haim sisters’ third album is their best yet, full of breezy, warm, and masterfully crafted songs.
Dramatizing the essence of punk was Bradford Cox’s chief goal while composing “Monomania,” which he describes as a “very avant-garde rock & roll record.”
Dramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…
One of my favorite quotes from Gil Evans is, “Quit playing what you think I want you to play!”
“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
Paterson is a movie about how ordinary it may be to see the world in a grain of sand.
A round-up review of new releases from Harmonia Mundi — an invigorating crop of albums.
Book Review: “Folk Music — A Bob Dylan Biography in Seven Songs”
At points Greil Marcus’ digressive style can seem like nervy brilliance, at others, idle whimsy. What ennobles the book is the critic’s love for his underlying subject: the soulful search for a truer America.
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