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Despite the pain of inhabiting Alexander Herzog’s disintegrating world, I absolutely could not put My Marriage aside.
Read MoreActors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
Read MoreReviewed By Caldwell Titcomb The Boston Lyric Opera (BLO) initiated this week what it calls Opera Annex by moving out of its usual venue for its production of Benjamin Britten’s opera The Turn of the Screw. The site chosen was the Park Plaza Castle, built in 1891 as a Boston armory.
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The overall impression of this valuable exhibit is to remind us that religious conviction is by no means synonymous with conservatism.
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This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
Read MoreOnce again we are indebted to Wellesley College for bringing to town Actors From the London Stage (AFTLS). This is the fifth visit the 35-year-old institution has made here. Each fall five seasoned Shakespeareans from England take up residence at U.S. colleges for a week, conducting workshops and seminars with students. Reviewed by Caldwell Titcomb.
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“Our film has community and spirituality,” says Gerald Peary. “It also has conflict.”
Read MoreAcclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?