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Actors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
Once again we are indebted to Wellesley College for bringing to town Actors From the London Stage (AFTLS). This is the fifth visit the 35-year-old institution has made here. Each fall five seasoned Shakespeareans from England take up residence at U.S. colleges for a week, conducting workshops and seminars with students. Reviewed by Caldwell Titcomb.
“Our film has community and spirituality,” says Gerald Peary. “It also has conflict.”
Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.
Peter Oundjian and the Royal Scottish National Orchestra deliver a great album, smartly programmed and played to the hilt. Leonard Bernstein’s live Mahler was often electrifying; this performance, even with some cracked notes and hairy transitions, certainly is.
Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
The overall impression of this valuable exhibit is to remind us that religious conviction is by no means synonymous with conservatism.
This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
I’d have to give the edge to Dave Liebman in terms of innovative creative reach. But Lakecia Benjamin more than holds her own in how she gives re-vitalizing attention to some very important musical roots.
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