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Director Richard Linklater does something in Boyhood that is virtually unique. He filmed it over a twelve year period, so the actors actually grow older right before our eyes.
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Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
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We now have a book that virtually closes the circle on Hemingway’s women, a biography that will be treasured by the author’s fans and scholars.
Read MoreArts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Read MoreNew discs from Harmonia Mundi: One explores the music of Pulitzer prize-winner Kevin Puts, the other focuses on the songs of Hanns Eisler, and it is one of the most fascinating albums to come from any label so far this year.
Read MoreArt with a capital A has been put on such a pedestal that Craft with a capital C has been downgraded to a shabby or rustic sort of activity of which the practitioner should be a little ashamed. ’Tain’t so.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
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This week’s poem — Keith Jones’s “The Celan Variations”
Read MoreTodd Solondz’s lack of commercial appeal as a filmmaker is understandable. His movies deal overtly with some of the most uncomfortable aspects of American life.
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Holiday Commentary: Making Room for the Stranger