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Art with a capital A has been put on such a pedestal that Craft with a capital C has been downgraded to a shabby or rustic sort of activity of which the practitioner should be a little ashamed. ’Tain’t so.
Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
An Arts Fuse regular feature: the arts on stamps of the world.
This year’s edition of Metalfest matched the fabled fests of yore – a point not lost on many of the bands that performed, many of them making note on stage that the metal world had somehow been made right again.
Iliazd is more interested in working through all the possible reasons that generate behavior rather than grappling with issues of morality.
Painter Sharon Yates’ patience and devotion breathes depth and character into a seemingly banal subject: cow pastures.
This version of Beach Road Weekend marked a huge step to the event joining Newport Folk and Solid Sound among New England’s marquee mid-size festivals.
In his satire “The Golden Dragon,” Roland Schimmelpfennig holds his funhouse mirror up to “theater-people”: be they artists, audience, teachers, or students.
Arts Commentary — Big Money for Artist Activists From the Robert Rauschenberg Estate
It’s important for there to be funds, curators, institutions, and audiences for art that can speak truth to power in unconstrained ways.
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