Weekly Feature: Poetry at The Arts Fuse
Welcome to “Poetry at The Arts Fuse.” A new poem, every Thursday.
The Celan Variations
_______________________
my disclosure —
let me say what I’ve known
grief interlude, no perception
not rent,
those “poor” who propose
in mapping
a different world to walk thru
by way of our own
imagelife, theirs
& all colors
& thornmilk
& bereft’s blue voice
_______________________
in the myth of the treatise
of the new year
sun, constant lever at my door
fragile markers, puzzle boxes
sheets pulled tight
_______________________
“You Don’t Know What Love Is”
I’m only happy
when Coltrane’s playing
dishwasher on, midday light
kids at play on a fort in the front room
deciduous probing orb
what bounces over
& through & into you
as we care for one another
the “Market” slides
_______________________
Lorca’s mouth —
beautiful above the “Lettered City”
I see love in you
grass mirth anonymous sky
vapor in the hearth
of the artist’s
home, my bedside books
made of stone
& sweet indulgence
light thru burrowed
space of spine
which receives needle
& thread
then closes, path
on every shore
plays in the sheen
skinned-animals brightened
by sun
_______________________
cataclysm’s pretty weave comes
as flux & passionate detail
horn halogown thinthimble
of life
Orphic waters widen
where the current gifts bridges,
hours of worship
of locus
countenance & color
soft incarnations
thoroughdeep & place of cleft
beauties not-yet-born
parable & discourse,
meridianchild of emptiness
& innerhouse
brittle, beyondworld
of verse
Keith Jones is the author of Echo’s Errand (Black Ocean) and the poetry chapbooks, blue lake of tensile fire (Projective Industries), shorn ellipses (Morning House), the lucid upward ladder (Verse), Fugue Meadow (Ricochet Editions), and Surface to Air, Residuals of Basquiat (Pressed Wafer). His poems have appeared or are forthcoming in Barrow Street, Chicago Review, Denver Quarterly, Flag + Void, Harvard Review, Transition, and elsewhere. He teaches in the Africana Studies Department at the University of Massachusetts, Boston and is the current Poet-in-Residence at the New England Conservatory.
Note: Hey poets! We seek submissions of excellent poetry from across the length and breadth of contemporary poetics. See submission guidelines here. The arbiter of the feature is the magazine’s poetry editor, John Mulrooney.
— Arts Fuse editor Bill Marx