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This week’s poem: Marc Vincenz’s “Spock Is Not a Myth”
Read MoreThis week’s poem: Amy King’s “The Busyness of Birds.
Read MoreAt first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.
Read MoreDirector David Charles Rodrigues incorporates this wealth of material, a superflux of images generated by Genesis P-Orridge and the various artistic enterprises s/he founded, with concision and insight. The life and work of his subject is chronicled over the course of a lucid and kaleidoscopic 100 minutes.
Read MoreThe caliber of Richard Thompson’s voice is undiminished. His always expressive, frequently soothing timbre was perfectly intact.
Read MoreJumbo is one of the most magically affecting and visually enthralling romances I’ve seen in quite some time
Read MoreViewers are invited to make what they will of the show’s images — to let their imaginations come up with their own expansive and beautiful stories.
Read MoreThe lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
Read MoreIt is a conundrum for the critic: is the crudeness of the rendering the result of an expressionist style or a lack of finesse or skill in rendering?
Read MoreAfter having diagnosed the ails of modernity, screamed out his most deeply held traumas, and shrugged off his role in the biggest band ever, John Lennon is content to have a riverside cuddle under a tree in the sun with the woman he loves. Amen.
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Holiday Commentary: Making Room for the Stranger