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The lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
It is a conundrum for the critic: is the crudeness of the rendering the result of an expressionist style or a lack of finesse or skill in rendering?
Director David Charles Rodrigues incorporates this wealth of material, a superflux of images generated by Genesis P-Orridge and the various artistic enterprises s/he founded, with concision and insight. The life and work of his subject is chronicled over the course of a lucid and kaleidoscopic 100 minutes.
The caliber of Richard Thompson’s voice is undiminished. His always expressive, frequently soothing timbre was perfectly intact.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
It is not surprising that Wendy Warren strains to find words to “comprehend the rank tragedy that resulted from enslavement.”
“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”
An Arts Fuse regular feature: the arts on stamps of the world.
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