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Help sustain an endangered journalistic species — substantial critical coverage of the arts.
Read MoreSummer has arrived thermally and is due to arrive astronomically early next wee; New England offers a geographically diverse menu of jazz festivals.
Read MoreThe sound was often so inviting that it seemed Wire were easing comfortably into middle age.
Read MoreThe Grand Parade is a truly sumptuous feast of imagination, color, emotion and movement; a uniquely dramatic way of interpreting our history as a torrent of events presented without judgment.
Read MoreYes, Chris Robinson is ironically in a band called the Brotherhood when he can’t work with his actual brother in the Black Crowes.
Read MoreRalph Peterson is interested in furthering a complex, post-bop legacy. His music can be hard to count: it’s also rip-roaring fun.
Read MoreBloggers predicted that CEO/President Josiah Spaulding Jr.’s over-the-top 1.265 million dollar retention bonus would spark inquiries into how much money goes where at the Citi Performing Arts Center (CPAC). It does not seem too much to ask, given that the state and other funders are throwing much moolah at a troubled nonprofit arts institution whose…
Read MoreThe Decemberists’ album offers a lineup of tunes that would soothe Shakespeare on a balmy evening.
Read MoreThe possibilities of the internet as well as the MET in HD pull Wagner’s dream of a total work of art into the context of 21st-century technology and culture, making possible new cross-cultural and cross-disciplinary references as never before. I think he would have loved it. By Helen Epstein. When I was a musicology student…
Read MoreWe often hear about how Brahms and Mahler lived under the shadow of Beethoven’s symphonies, but I suspect many other composers had the last three sonatas in their heads, keeping them both inspired and humble. Beethoven Opus 109. 110, 111. Performed by pianist Till Fellner. At Seully Hall, Boston Conservatory, October 12, 2010. By Susan…
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