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Where Roadrunner goes from here remains to be seen, but Billy Strings did his part to open the room with a bang of a blessing.
Read MoreEven given the over-the-top wish-fullfillment of the film’s plot, Escapement’s weak dialogue and lack of subtlety proves to be its ultimate undoing.
Read MoreLive, the band crackled. But it was the front line of the grey-maned Rava and trombonist Gianluca Petrella who ultimately defined the band’s sound. .
Read MoreVocalist Dee Dee Bridgewater’s exuberance proved contagious in this performance featuring a remarkable group of jazz all-stars under the genial direction of bassist Christian McBride.
Read MoreThe Takács Quartet have won the kind of acclaim that most chamber groups can only dream of, and their concert in Boston made their enviable reputation understandable.
Read MoreAnna Sokolow’s art was the gift of distillation, designed around the choreographic mot juste and saying only that and nothing else. Performed by the right dancers, adequately coached, that simplicity can be resonant.
Read MoreMrs. America is well written and beautifully acted (generally), but its real power stems less from its entertainment value than in how it reveals how little has changed for women since the ’70s.
Read MoreSinger Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.
Read MoreFresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
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