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The MRT production marches clumsily along the fine line of being funny and knowing it is funny.
Read MoreHudson serves up varied, fresh, and exciting free jazz that imaginatively draws on rock, funky blues, and folk music.
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The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
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Soviet Armenian composer Aram Khachaturian, at his best, was compelling. Granted, he wasn’t working at this level in every piece. But most of his bigger works are better than not.
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Missy Mazzoli’s scoring is generally airy and virtuosic, yet Dark with Excessive Bright doesn’t seem to add up to more than the sum of its parts.
Read MoreWhat about Bert Stern, the artist? He deserves credit for bringing fashion photography into the modernist moment in the late 1950s and early 1960s.
Read MoreBy Bill Marx If the age turns away from the theater, in which it is no longer interested, that is because the theater has ceased to represent it. It no longer hopes to be provided by the theater with myths on which it can sustain itself. –- Antonin Artaud
Read MoreWith their expert handling of powerfully understated compositions, this trio’s performances insinuate themselves into your mind and age there like fine wine.
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Opalescent’s overriding aspect is celebratory – but from a variety of angles.
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I had never heard of Marcus Paus before, but his work I Hate Men, set to witty verses by Dorothy Parker, proved to be one of the most entertaining and engaging pieces I have heard in recent years.
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