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Arts Feature: Best Movies (With Some Disappointments) of 2021

December 23, 2021
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Our demanding critics choose the best films (along with some disappointments) of the year.

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Fuse Coming Attractions: What Will Light Your Fire This Week

October 18, 2015
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Film Review: “Ammonite” — Stark Romanticism

March 27, 2021
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The experience of watching Ammonite may prove slightly unsettling for some viewers because there is so little cinematic artifice at work.

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Coming Attractions: September 5 through 21– What Will Light Your Fire

September 5, 2021
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.

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Fuse Coming Attractions: What Will Light Your Fire This Week

August 10, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

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Festival Review: Solid Sound 2022 — Fun For All

June 2, 2022
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Solid Sound is like a family picnic for stylistically open-minded musicians and fans alike within the brick-mill infrastructure of MASS MoCA.

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Film Review: London Film Festival Dispatch #2 — “Sick of Myself” and “Triangle of Sadness”

October 20, 2022
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Two over-the-top social satires take sharp swipes at modern excesses.

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Classical Album Review: Violinist Maria Ioudenitch’s “Songbird” Soars

May 26, 2023
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Violinist Maria Ioudenitch seems to know how to get directly at the expressive core of this fare without devolving into showboating or histrionics.

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Book Review: “Death in Her Hands” — There’s No Mystery to This Mystery

October 22, 2020
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It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?

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Visual Arts Feature: Me and Philip Guston

January 30, 2012
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Our discussions always took the same turn. Philip Guston attempted to convince me that artists like Piero della Francesca and the cave painters of Lascaux were in the first place abstractionists.

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