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The quilts serve as landmarks whose significance is evolving with shifting times and demographics. Where have we come from, they ask. Where are we going? The answers are no longer what they were.
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Those who have followed Throwing Muses’ Kristin Hersh’s career over the past three decades are the target audience for this memoir. But she is a good enough writer to interest people who may never have listened to her music.
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The sound of both musicians is indelible: trumpeter Enrico Rava is warm and rounded; pianist Fred Hersch, often icy, is fetching and detailed.
Read MoreCanoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
Read MoreJulia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.
Read MoreIt is our good fortune that the Library of America has decided to make H. L. Mencken’s Prejudices, a mother load of uproarious, unruly, acidic reviews and commentaries on all things American — books, music, democracy, religion, education, food, women, mores — available.
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It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
Read More“Maturity, if you’re doing it right, means caring less and less what other people think – you just are who you are.”
Read MoreLet us hope that today’s revelations will be taken more seriously than charges of sexual harassment and assault were back in 1993.
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Notes on The Arts Fuse Podcast — From Its Producer
I wanted the podcast to be both an honest reflection of what The Arts Fuse is, but also allow the voices that contribute to the magazine to find new ways of expressing their critiques in a new medium.
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