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Saxophonist Gregory Groover Jr, was not initially drawn to spirituals. In fact, as a young person, he found them frightening.
Read MoreThis provocative installation is at the deCordova Sculpture Park & Museum is a “dystopian meditation on the lives of marginalized groups, debt, the challenges of home ownership and living in a climate-stressed world today.”
Read MoreA powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
Read MoreWhat sets “Cold Nights of Childhood “wonderfully apart from today’s autofiction genre is the narrator’s absolute lack of self-pity. There is no blame-game, and no lugubrious victimhood.
Read MoreOur expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read More“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
Read MoreThe relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
Read MoreVeteran British director Ken Loach turns over a new leaf in “The Old Oak”.
Read More“Challengers” is an exploration of eroticism in the broadest sense: the eroticism of competition, the sensuality of sport, and the messiness of human relationships.
Read MoreClea Simon’s latest mystery, “Bad Boy Beat,” features the memorable heroine Em Kelton, a tough Boston journalist who can mix with the hard-boiled reporters and hard-living cops on her beat — none of whom want to realize that she happens to be a brilliant detective.
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