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Yes, Munch and Kirchner were into angst; but they were also artists of great energy, talent, and daring, who found new ways of working and did much to shape the direction and force of modern art.
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This superb Speakeasy Stage Company/Front Porch Collective co-production is emotionally charged and immediate, intent on keeping the material fresh and raw.
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The week’s poem: Amanda Cook’s “The Cow of Dogtown”
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The Bamberg Symphony Orchestra is a rare gem in the already star-studded crown of European ensembles.
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“Clue,” a whodunit board game-based comedy, rolled the dice and found success by bypassing Broadway and going directly on tour.
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“There’s nothing better to do on Friday night than hear this orchestra play. What else would people do that would be better? Of course, people get very excited about the sports teams – and most of them lose. But this orchestra never loses. It wins every game!”
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Documentaries celebrating communities shine at the Independent Film Festival of Boston.
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What is it about Final Summer that makes it a very good Cloud Nothings album but not a great one?
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Want to see some excellent new films? How about in pairs?
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