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Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
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“Soul & Salvation” is a short album, and you’ll be sorry when it’s over. It’s hardly an essential album in Dizzy Gillespie’s long discography, but you won’t regret giving it a listen.
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What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
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The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
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Gary Clark Jr.’s “JPEG RAW” could be seen as an orchard whose far-reaching sonic branches — nurtured by the rich, fertile, and ancient soil of the blues — stretch into jazz, hip hop, and funk.
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“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
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How well or how poorly are we paying homage to our jazz ancestors? Some graves are worthy places of pilgrimage. Others are neglected . . . or unknown.
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The spirited restraint of the pianist’s playing — its omnipresent precision and clarity — sounds contemporary and fresh.
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Host Elizabeth Howard talks to Dr. Jay Watson, the Howry Professor of Faulkner studies and Professor of English at the University of Mississippi. This year marks the 100th anniversary of the first book William Faulkner published — “The Marble Faun.”
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